Beyond the distance is a poem about the search for truth.

The real flourishing of the individual, her inner freedom, dignity, responsibility, characteristic of the Thaw, determined the features of A. Tvardovsky’s poem “Beyond the Distance” (1950-1960). Researcher A. Makedonov defined this work by A. Tvardovsky as a poem of the change of eras, the search for truth. Here the author strives to understand and tell the whole truth “about time and about himself,” without shifting difficult decisions onto anyone else’s shoulders. Compared to previous works, the poem “Beyond the Distance is the Distance” further strengthens the lyrical principle, which becomes decisive and structure-forming. Everything depicted in the work is shown through the eyes of the lyrical hero, given through the prism of his perception, his experiences, and comprehended by him. Thus, Tvardovsky’s essentially epic poetry, addressed to critical historical periods in the fate of the people, is enriched with openly expressed lyrical pathos and depth of philosophical reflection about the painful problems of the century, about one’s life path.

Tvardovsky “has something to see, something to sing.” And it’s true, he “sings” about a renewed country, about resilience, creative activity, the “youthful reason” of the working people. In the chapters “Seven Thousand Rivers”, “Lights of Siberia”, vocabulary and epithets of high style (“tree”, “sovereign”, “beauty”), metaphors (“seven thousand rivers”, “united family”, “forge of the state”) are actively used , “Milky Way”, “lights of Siberia”), folklore images (“Mother Volga”, “Father Ural”). In the chapter “On the Angara,” the description of the damming of the river unfolds into a picture of a labor holiday, a victory of man in a difficult struggle with the elements, and turns into the author’s open reflection on what is most dear to him:

You here are the crown of earthly beauty,

My support and protection And my song -

Dear people!

In these chapters, expressing the poet’s most sincere feelings, his gratitude to his homeland for the happiness of being with her on her difficult path, the author is sometimes verbose and eloquent (I think Tvardovsky, with his amazing sense of truth and rejection of any kind of embellishment, was aware of this himself when he asked editorial staff to look at the completed chapters again and again: “I think I soared in them”). On the other hand, this affirming pathos is connected, it seems, with the poet’s desire not to allow anyone to doubt that truly valuable thing that was created by the labor of the people during the years of Soviet power.

The greatest artistic power is possessed by the chapters of the work in which the author does not “sing”, but reflects, where the pathos of analysis and introspection prevails. This mood is set by the genre of the book chosen by the writer. The first publications of excerpts from it were with the subtitle “From a travel diary.” Here the features of the work are precisely defined, the connection between its narrative plot (travel in space - across the whole country and in time - from the present to the past and future) and the lyrical-psychological plot. The diary records what is especially dear to a person, what is important for him personally, and this gives the work a confessional character, enhances the effect of authenticity, reliability of everything that is discussed in the poem. A diary is also necessary in order to understand oneself, to challenge oneself to the merciless judgment of conscience, to “put silent pain into words.” A special role in this “journey for the truth” (remember the traditional folklore plot) is played by the chapters “With Myself”, “Childhood Friend”, “So It Was”.

No, life has not deprived me,

She didn’t spare her goodness.

Everything was more than given to me On the road - light and warmth...

So that he lives and is always with the people,

So that he knows everything that will happen to him,

Didn't make it past the thirtieth year.

And forty first.

Tvardovsky thinks of himself as part of the people, he cannot imagine his life outside the common fate, and this gives the character of the lyrical hero epic features. That is why “I” in Tvardovsky’s poem is constantly combined with “we”. But this does not deprive the author of the opportunity and necessity to be “responsible for everything - until the end.”

Simply, sincerely and courageously, trying to understand and not condemn, Tvardovsky proceeds to the most important and difficult thing - reflecting on the path the country has traversed after the revolution, on his understanding of the Stalin era.

So it was: for a quarter of a century, the call to battle and labor sounded the name of a man with the word Motherland in the row...

We called - will we be disingenuous? —

His father in the country-family.

There's no denying it,

Not to add -

That's how it was on earth.

Two faces are highlighted in this chapter from the collective portrait of contemporaries, two that resonate with excruciating pain in the soul of the lyrical hero of fate. One is “a friend of shepherd childhood and difficult youthful days,” before whom the lyrical hero feels his inescapable guilt (the poet will tell you more about this in the chapter “Childhood Friend”). With him, the image of “mature memory” enters the chapter, from whose stern face there is no escape, “and it doesn’t befit you and me.” The second hero, or rather heroine, is Aunt Daria from her native Smolensk village,

With her hopeless patience,

With her hut without a canopy,

And empty workdays,

And the hard nights are no better...

With all the trouble - yesterday's war and the grave present misfortune...

Aunt Daria is the personification of the people’s conscience, the people’s opinion, which the poet values above all else and which will not allow one to bend one’s soul or deviate from the truth.

The chapter “So it was” was of fundamental importance for A. Tvardovsky. Here are the words of the poet in V. Lakshin’s program: “It was important for me to write this... I had to free myself from the time when I myself professed a natural cult.” F. Abramov also reflected on the drama of Tvardovsky’s insight: “An intellectual, a peasant, and also a victim of collectivization, a true communist, who sincerely justified everything in the name of the revolution... And he was given strength by faith, which was stronger in him than in others . But it was like that until faith in Stalin was shaken, until the 20th Congress broke out... The whole post-war history is emancipation.”

“Beyond the distance - the distance” Tvardovsky

"Beyond the distance - the distance" analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.

The poem “Beyond the Distance is Distance,” for which A.T. Tvardovsky was awarded the Lenin Prize in 1961; it is one of the central works of the mature work of A.T. Tvardovsky. It consists of 15 small chapters.

The main motive of the poem is the motive of the road. The lyrical hero sets off by train across the expanses of his native country. At the very beginning of the work, we learn that he planned this path through the Urals and Siberia a long time ago. The lyrical hero remembers the war, the devastation and wants to look at the new country that was rebuilt during the years of peace.

Travel gives the lyrical hero the opportunity to see new places, feel a sense of belonging with other people, and awakens creative inspiration. A characteristic feature of the poem is the presence of ironic intonation. “He overcame it, climbed the mountain and became visible from everywhere. When he was noisily greeted by everyone, noted by Fadeev himself, provided with millet in abundance, designated as a classic by friends, almost immortalized,” writes A.T. Tvardovsky about his lyrical hero. Having achieved fame, a person should not break away from reality, from communication, from developing life. The hero of the poem admits that the land where he is not feels like a loss. He is in a hurry to live, trying to keep up with everything. Traveling in space becomes a powerful stimulus for memories - time travel.

The first major event of the trip is the meeting with Volga: “- She! “And to the right, not far away, Not seeing the Bridge ahead, We see its wide reach In the gap in the field on the way.” Russian people perceive the Volga not only as a river. It is at the same time a symbol of all of Russia, its natural resources and open spaces. A.T. Tvardovsky emphasizes this more than once, describing the joyful excitement of the hero and his fellow travelers when meeting the mother of Russian rivers. The Kremlin walls, domes and crosses of cathedrals and ordinary villages have long been visible in the Volga. Even having dissolved in the ocean waters, the Volga carries within itself a “reflection of its native land.” The patriotic feeling of the lyrical hero takes him to the memorable war years, especially since his neighbor in the compartment fought for this Volga at Stalingrad. Thus, admiring the view of the river, the hero of the poem admires not only the natural beauties of the Russian land, but also the courage of its defenders.

Memories take the lyrical hero to his small homeland - Zagorye. Childhood memory characterizes life in this region as meager, quiet, and not rich. The symbol of hard, but honest and necessary work for people in the poem is the image of a forge, which has become a kind of “academy of sciences” for the young man.

In the forge “everything was born with which they plow the field, cut down the forest and cut down the house.” Interesting conversations were held here, from which the hero’s first ideas about the world were formed. Many years later, he sees the “main sledgehammer of the Urals” at work and remembers his native village forge, familiar from childhood. By comparing two artistic images, the author correlates the theme of a small homeland with conversations about the fate of the entire power. At the same time, the compositional space of the chapter “Two Forges” expands, and the poetic lines achieve the maximum effect of artistic generalization. The image of the Urals is noticeably enlarged. The role of this region in the industrialization of the country is perceived more clearly: “Ural! The supporting edge of the power, Its breadwinner and blacksmith, The same age as our ancient glory and the creator of our present glory.”

Siberia continues the gallery of regions and regions of our native land. And the lyrical hero again plunges into memories of the war, of childhood, then looks at his fellow travelers with interest. Separate lines of the poem are addressed to fellow writers, pseudo-writers who, without delving into the essence of events, write industrial novels to order according to the same basic plot scheme: “Look, a novel, and everything is in order: The method of new masonry is shown, The backward deputy , growing up before And going to communism grandfather.” Tvardovsky opposes simplifications in literary work. He calls not to replace the image of true reality with routine schemes and templates. And suddenly the monologue of the lyrical hero is interrupted by an unexpected exclamation. It turns out that his editor is traveling with the poet in the same compartment, who declares: “And you will come out into the world like a picture, as I intended you to be.” This comic plot device helps the author raise a pressing problem for him. After all, A.T. himself Tvardovsky, as you know, was not only a poet, but also for a long time the head of one of the best Soviet magazines, Novy Mir. He had the opportunity to look at the problem of the relationship between the author and the editor from both sides. In the end, it turns out that the editor was just a vision of the poet, like a “bad dream.”

Siberia, in the author’s perception, appears as a deserted land, covered in “harsh darkness.” This is a “dead land of ill fame,” “an eternal wilderness.” Looking at the lights of Siberia, the lyrical hero talks about how “from afar they brought here Who is the order, Who is the merit, Who is the dream, Who is the misfortune...”.

In the taiga at the Taishet station, the lyrical hero meets an old friend. Once upon a time, life separated these two people. Their fleeting meeting at the station becomes a certain symbol of the irreversibility of the passage of time and human life. As soon as they meet, the heroes part again and go to different directions of the vast country.

Carriage disputes and pictures of road life create the necessary background in the poem, against which the author tries to pose the most pressing issues of the era. He talks about careerism and encourages young people to develop uninhabited land. An example of such an ascetic act is the fate of a young couple who, at the call of their hearts, travels from Moscow to work in Siberia. Further, emphasizing the scale and grandeur of the projects for the development of Siberia, Tvardovsky talks about the construction of a hydroelectric station on the Angara.

At the end of the poem, the lyrical hero brings his bow to Vladivostok from Mother Moscow, from Mother Volga, from Father Ural, from Baikal, from the Angara and from all of Siberia. Repetitions and diminutive suffixes give the stanza a folklore sound. The poet confesses his love for his homeland, for the people and says goodbye to the reader until we meet again. The author managed to realize his grandiose plan in the poem: to present a generalized portrait of his native land and convey the ascetic spirit of the Thaw era, the scope of industrial plans and the breadth of the soul of the Russian people.

“Beyond the Distance is the Distance” by Tvardovsky, a brief summary of which is given in this article, is a famous post-war poem by the famous Soviet writer. In this work, the author condemns Stalin.

Creation of a poem

The poem "Beyond the Distance - the Distance" by Tvardovsky - a brief summary allows you to get a complete picture of the plot - was written at the height of the Khrushchev Thaw. In it, the author reflects on the passage of time, the duty and responsibility of the artist, life and death.

The chapter “So it Was” is almost entirely devoted to the cult of Stalin’s personality. And also the consequences that such government policy led to. The chapter “Childhood Friend” talks about the rehabilitation of people who were illegally convicted during the years of repression in the Soviet Union.

Tvardovsky most vividly presented his idea of sovereignty in this poem. At that time, the idea was very popular, but many adhered to the cult of a strong state. Tvardovsky does not connect this cult with any specific statesman or specific form of government. This point of view helped him become one of the admirers of the Russian Empire.

Tvardovsky wrote “Beyond the Distance - the Distance” (the content is briefly retold in this article) in the period from 1950 to 1960. The work itself belongs to the lyrical genre, while it has an obvious epic bias.

The main plot of the poem revolves around the theme of the road. The lyrical character sets off on a train journey across the country. Already at the beginning of the story, the reader learns that initially this route runs through the Urals and Siberia. He had been dreaming about this trip for a long time.

On the way, the lyrical hero indulges in memories; the difficult everyday life of war, devastation and hunger, which overnight consumed the entire country, come to mind.

One of the entertainments along the way is carriage disputes. And also the changing landscapes outside the window. They serve as an additional background to this work. At the same time, the author reflects on the pages of the poem about career growth and actively encourages the younger generation to go and explore the distant and uninhabited Siberian lands.

In the poem “Beyond the Distance, the Distance” by Tvardovsky, a brief summary of which is conveyed in this article, grandiose plans for the development of the Siberian expanses are specifically mentioned. The poet describes the process of constructing a hydroelectric power station on the Angara River.

The lyrical poem ends with the arrival of the train at the easternmost point of the country - Vladivostok.

15 chapters

There are only 15 chapters in the poem “Beyond the Distance - the Distance” by Tvardovsky. The summary begins with an introduction. It and the very first chapter tell about the motives that prompted the lyrical hero to set off on this journey.

The author describes in detail his impressions of what he saw outside the window during his trip. He talks at length about the distances in anticipation of upcoming joyful events. Initially, when leaving Moscow, the lyrical hero expects something important and meaningful from this trip.

The chapter “On the Road” describes the author’s mood and his great desire to get new sensations in unexplored places of his vast homeland. In Tvardovsky’s poem “Beyond the Distance, the Distance” (a chapter-by-chapter summary allows you to get acquainted with the work in detail), the lyrical hero sincerely rejoices at every meeting, any new travel companion.

The vast Volga

Tvardovsky’s lyrical hero is especially amazed and admired by the vast Volga, which he sees from the window of his train.

He writes about the Volga as an omnipresent river in which half of Russia could see itself. He looks at the river with undisguised delight, immediately forgetting about everything he was just doing.

In the chapter “Two Forges” the author turns to his youth, which passed in Zagorye in the Smolensk region. He grew up in his father's forge. And then he was forced to come to the Urals. The two forges that he encountered are a clear reflection of the image of his father and the Urals miner, which was called the forge of the entire power.

Calling the Volga mother, the poet calls the Urals father.

Hello Siberia

An important role in this work is played by the chapter “Two Distances”, in which the lyrical hero says goodbye to the Urals and welcomes Siberia. He describes its landscapes and everything that comes into his field of vision.

In fact, in Tvardovsky’s “Beyond the Distance, the Distance,” the main characters are not specific people, but historical eras and places that the lyrical hero of the poem passes by train.

The author is delighted with what he sees outside the carriage window. The poet put deep meaning into this chapter. He reflects on the present and past of his country. In recent years, he and his people have had to endure many trials. These include the sorrows of war, tragic losses at the fronts, joy from new buildings, and general enthusiasm from the restoration of cities.

But still there are many more sad memories.

Dialogue with the reader

A distinctive feature of this poem is the dialogue with the reader, which the author conducts in almost every chapter. This gives additional liveliness and unusualness to the entire text.

In the chapter "Literary Conversation" he talks about the protagonist's fellow travelers. He has been spending three days in the same carriage with them. This is a Soviet Army officer with the rank of major, a young romantic couple and a lady in pajamas. The poet carefully describes the characteristics of each of the characters, adding his own conjectures and assumptions about their future fate.

On a trip the lyrical hero meets his old friend. They remember the past, how they played together as children, herded cattle and burned fires. They had not seen each other for seventeen years, but met suddenly and by chance. They only have five minutes to do everything about everything at the Tayshet station.

Memories of the war occupy a special place in the poem. In the ten days that the trip lasts, the author manages to cover a huge geographical and historical layer.

The poet spent a lot of effort working on this work. In Tvardovsky's poem "Beyond the Distance - the Distance" - the contents are set out in chapters in this article - the author's most innermost thoughts and ideas are expressed.

Analysis of the poem "Beyond the Distance - Distance"

Alexander Tvardovsky put a deep meaning into the concept of distance. “Beyond the Distance is the Distance” - the analysis of the work is given in this article - with incredible skill it conveys descriptions of valleys, rivers and lakes, the author’s memories and his thoughts about the present and future life.

Some of the most insightful are front-line episodes that the poet took from his own memory. Perhaps the most important thing in this poem is the comparison of times, the joy and sadness of the inhabitants of the era, their awareness of the coming new time.

Tvardovsky seems to carry these memories throughout his entire life, harmoniously inscribing them into this poem, which he considered one of his key works.

This is a true literary masterpiece of the 20th century.

Tvardovsky A.T. - a writer who, during his short life, left an indelible mark in the memory of readers by writing wonderful works. Among the written works is Tvardovsky’s poem “Beyond the Distance,” which is an autobiographical work that he began to write, inspired by his travels around our mother country.

Beyond the distance - distance Tvardovsky summary

The work consists of fifteen parts, where the author shares with us his travel sketches, his thoughts, his impressions, telling us about his trip, which began in Moscow towards the Far East. To quickly familiarize yourself with all the small parts of the work “Beyond the Distance - the Distance” by Tvardovsky, we bring to your attention a brief summary.

Already at the beginning of the work, the author tells us about the journey and the motives that prompted him to travel. The hero is all excited about the train ride and what awaits him there ahead. We see in the part called “On the Road” the mood of the hero who wants to visit new places. He is in a wonderful mood, he is glad to see every fellow traveler. Next we get acquainted with the part “Seven Thousand Rivers”. This is exactly how the hero speaks about the Volga. The author devoted an entire part to this river. He calls it “the middle of the native Earth,” “Mother Volga alone,” despite the fact that there are more powerful rivers. The writer glorifies the river, talks about how people admire it, how “half of Russia looked at it” and how beautiful and big it is.

Next, we are transported to the hero’s memories, where he talks about his native land of Zagorye, where he spent his youth in a forge, and then driving through the Urals “I’m driving past, And something sank in my chest: It’s as if I’m leaving you as my native land.” behind”, and then “beyond the Urals - Trans-Urals” and already a different distance.

In the next part, “Two Distances,” the author says goodbye to the Urals and meets a new land, Siberia, introducing us to the landscapes that the hero observes from the window. Here the author has a conversation with us, the readers “Reader! Friend of the very best” “let’s continue the conversation.” And the conversation continues in the “Literary Conversation” part, where the writer introduces us to his companions, giving their brief characteristics. So the hero tells us about a young couple, a lady in pajamas, a major, and again the hero turns to the reader.

In Tvardovsky’s poem “Beyond the Distance, the Distance,” the lyrical hero also meets his childhood friend, recalling with him past carefree times in the part “Childhood Friend.” Also, during the journey, the author tells us about the historical military events that took place in the country, which we learn about from the chapter “Front and Rear.” Here the author talks about a dispute that ensued between fellow travelers on the topic of the front “there was a dispute about the front and the rear, - Not which is more important, but which is more difficult.” Next are Angara, Baikal, Vladivostok.

At the end, the author again turns to readers who, in their imagination, along with the hero, have comprehended the distance. The author writes about the desire of readers to recognize the hero of the poem, but as such there is no hero, or rather, the heroes of the work “You, me, and you and me,” that is, the author himself and the readers. The author ends his work with a farewell to the readers: “Farewell. To a new distance,” calling readers “Old Friend.”

History of creation Beyond the distance of Tvardovsky

The history of the creation of Tvardovsky’s “Beyond the Distance” begins in 1950. Auto decided to write a poem after he left the magazine “New World” and went to travel around the country, writing everything down in his diary. The author wrote his work for ten whole years and completed it in 1960.
In my work on Tvardovsky’s poem “Beyond the Distance” and in my essay, I want to note the great talent of the writer, which allowed us to imagine the greatness of our country.

"Beyond the distance - the distance"

The poem “Beyond the Distance is Distance”, for which A.T. Tvardovsky was awarded the Lenin Prize in 1961; it is one of the central works of the mature work of A.T. Tvardovsky. It consists of 15 small chapters.

The first major event of the trip is the meeting with Volga: “- She! “And to the right, not far away, Not seeing the Bridge ahead, We see its wide reach In a gap in the field on the way.” Russian people perceive the Volga not only as a river. It is at the same time a symbol of all of Russia, its natural resources and open spaces. A.T. Tvardovsky emphasizes this more than once, describing the joyful excitement of the hero and his fellow travelers when meeting the mother of Russian rivers. The Kremlin walls, domes and crosses of cathedrals and ordinary villages have long been visible in the Volga. Even having dissolved in the ocean waters, the Volga carries within itself a “reflection of its native land.” The patriotic feeling of the lyrical hero takes him to the memorable war years, especially since his neighbor in the compartment fought for this Volga at Stalingrad. Thus, admiring the view of the river, the hero of the poem admires not only the natural beauties of the Russian land, but also the courage of its defenders.

Memories take the lyrical hero to his small homeland - Zagorje. Childhood memory characterizes life in this region as meager, quiet, and not rich. The symbol of hard, but honest and necessary work for people in the poem is the image of a forge, which has become a kind of “academy of sciences” for the young man.