Poem “Beyond the distance. Tvardovsky “Beyond the Distance” - essay “A.T. Tvardovsky Beyond the Distance - Distance”

"Beyond the distance - the distance"

The poem “Beyond the Distance is Distance”, for which A.T. Tvardovsky was awarded the Lenin Prize in 1961; it is one of the central works of the mature work of A.T. Tvardovsky. It consists of 15 small chapters.

The main motive of the poem is the motive of the road. The lyrical hero sets off by train across the expanses of his native country. At the very beginning of the work, we learn that he planned this path through the Urals and Siberia a long time ago. The lyrical hero remembers the war, the devastation and wants to look at the new country that was rebuilt during the years of peace.

Travel gives the lyrical hero the opportunity to see new places, feel a sense of belonging with other people, and awakens creative inspiration. A characteristic feature of the poem is the presence of ironic intonation. “He overcame it, climbed the mountain and became visible from everywhere. When he was noisily greeted by everyone, noted by Fadeev himself, provided with millet in abundance, designated as a classic by friends, almost immortalized,” writes A.T. Tvardovsky about his lyrical hero. Having achieved fame, a person should not break away from reality, from communication, from developing life. The hero of the poem admits that the land where he is not feels like a loss. He is in a hurry to live, trying to keep up with everything. Traveling in space becomes a powerful stimulus for memories - time travel.

The first major event of the trip is the meeting with Volga: “- She! “And to the right, not far away, Not seeing the Bridge ahead, We see its wide reach In a gap in the field on the way.” Russian people perceive the Volga not only as a river. It is at the same time a symbol of all of Russia, its natural resources and open spaces. A.T. Tvardovsky emphasizes this more than once, describing the joyful excitement of the hero and his fellow travelers when meeting the mother of Russian rivers. The Kremlin walls, domes and crosses of cathedrals and ordinary villages have long been visible in the Volga. Even having dissolved in the ocean waters, the Volga carries within itself a “reflection of its native land.” The patriotic feeling of the lyrical hero takes him to the memorable war years, especially since his neighbor in the compartment fought for this Volga at Stalingrad. Thus, admiring the view of the river, the hero of the poem admires not only the natural beauties of the Russian land, but also the courage of its defenders.

Memories take the lyrical hero to his small homeland - Zagorje. Childhood memory characterizes life in this region as meager, quiet, and not rich. The symbol of hard, but honest and necessary work for people in the poem is the image of a forge, which has become a kind of “academy of sciences” for the young man.

In the forge “everything was born with which they plow the field, cut down the forest and cut down the house.” Interesting conversations were held here, from which the hero’s first ideas about the world were formed. Many years later, he sees the “main sledgehammer of the Urals” at work and remembers his native village forge, familiar from childhood. By comparing two artistic images, the author correlates the theme of a small homeland with conversations about the fate of the entire power. At the same time, the compositional space of the chapter “Two Forges” expands, and the poetic lines achieve the maximum effect of artistic generalization. The image of the Urals is noticeably enlarged. The role of this region in the industrialization of the country is perceived more clearly: “Ural! The supporting edge of the power, Its breadwinner and blacksmith, The same age as our ancient glory and the creator of our present glory.”

Siberia continues the gallery of regions and regions of our native land. And the lyrical hero again plunges into memories of the war, of childhood, then looks at his fellow travelers with interest. Separate lines of the poem are addressed to fellow writers, pseudo-writers who, without delving into the essence of events, write industrial novels to order according to the same basic plot scheme: “Look, a novel, and everything is in order: The method of new masonry is shown, The backward deputy , growing up before And going to communism grandfather.” Tvardovsky opposes simplifications in literary work. He calls not to replace the image of true reality with routine schemes and templates. And suddenly the monologue of the lyrical hero is interrupted by an unexpected exclamation. It turns out that his editor is traveling with the poet in the same compartment, who declares: “And you will come out into the world like a picture, as I intended you to be.” This comic plot device helps the author raise a pressing problem for him. After all, A.T. himself Tvardovsky, as you know, was not only a poet, but also for a long time the head of one of the best Soviet magazines, Novy Mir. He had the opportunity to look at the problem of the relationship between the author and the editor from both sides. In the end, it turns out that the editor was just a vision of the poet, like a “bad dream.”

Siberia, in the author’s perception, appears as a deserted land, covered in “harsh darkness.” This is a “dead land of ill fame,” “an eternal wilderness.” Looking at the lights of Siberia, the lyrical hero talks about how “from afar they brought here Who is the order, Who is the merit, Who is the dream, Who is the misfortune...”.

In the taiga at the Taishet station, the lyrical hero meets an old friend. Once upon a time, life separated these two people. Their fleeting meeting at the station becomes a certain symbol of the irreversibility of the passage of time and human life. As soon as they meet, the heroes part again and go to different directions of the vast country.

Carriage disputes and pictures of road life create the necessary background in the poem, against which the author tries to pose the most pressing issues of the era. He talks about careerism and encourages young people to develop uninhabited land. An example of such an ascetic act is the fate of a young couple who, at the call of their hearts, travels from Moscow to work in Siberia. Further, emphasizing the scale and grandeur of the projects for the development of Siberia, Tvardovsky talks about the construction of a hydroelectric station on the Angara.

At the end of the poem, the lyrical hero brings his bow to Vladivostok from Mother Moscow, from Mother Volga, from Father Ural, from Baikal, from the Angara and from all of Siberia. Repetitions and diminutive suffixes give the stanza a folklore sound. The poet confesses his love for his homeland, for the people and says goodbye to the reader until we meet again. The author managed to realize his grandiose plan in the poem: to present a generalized portrait of his native land and convey the ascetic spirit of the Thaw era, the scope of industrial plans and the breadth of the soul of the Russian people.

Siberia continues the gallery of regions and regions of our native land. And the lyrical hero again plunges into memories of the war, of childhood, then looks at his fellow travelers with interest. Separate lines of the poem are addressed to fellow writers, pseudo-writers who, without delving into the essence of events, write industrial novels to order according to the same basic plot scheme: “Look, a novel, and everything is in order: The method of new masonry is shown, The backward deputy , a grandfather growing up before and going to communism.” Tvardovsky opposes simplifications in literary work. He calls not to replace the image of true reality with routine schemes and templates. And suddenly the monologue of the lyrical hero is interrupted by an unexpected exclamation. It turns out that his editor is traveling with the poet in the same compartment, who declares: “And you will go out into the world like a picture, the way I intended you.” This comic plot device helps the author raise a pressing problem for him. After all, A.T. himself Tvardovsky, as you know, was not only a poet, but also for a long time the head of one of the best Soviet magazines, Novy Mir. He had the opportunity to look at the problem of the relationship between the author and the editor from both sides. In the end, it turns out that the editor was just a vision of the poet, like a “bad dream.”

In the taiga at the Taishet station, the lyrical hero meets an old friend. Once upon a time, life separated these two people. Their 190 fleeting meeting at the station becomes a definite symbol of the irreversibility of the passage of time and human life. As soon as they meet, the heroes part again and go to different directions of the vast country.

Year of publication of the poem: 1967

The poem “Beyond the Distance” was written by A.T. Tvardovsky for 10 years - 1950-1960. The circulation of editions of this work is measured in the millions. And the poem itself is called the most famous and successful work of the writer after “Vasily Terkin”.

Poems “Beyond the Distance” summary

Tvardovsky’s poem “Beyond the Distance” begins with the author setting off on a journey in a direction he has not yet been to, although he has traveled half the world. The hero travels at night, but cannot sleep because he is sorry for the time. He goes to the Volga, then the Trans-Volga region, the Urals, the Urals, the Trans-Urals, Baikal and Transbaikalia. The author says that behind every distance there will be another distance. He talks about how terrible the war is and how hard the work of the country's defenders is. He says that although the war is over, it will always be remembered, it is like a wound that, although healed, hurts when the weather comes.

On the road

The author writes that the poet’s work brings him joy. The most important thing in life is youth, and you need to cherish it while you have it. The poet, having achieved recognition, loses his passion, he just needs youth. He is ready to get off the train at any of the stops and stay there indefinitely. This man does not believe in the boredom of distant places, and he admires the trip. The author asks you not to judge the poem right away, but to read at least half of it.

Seven thousand rivers

Through a dream, the hero hears someone talking about the Volga. He approaches the window, where a crowd of people has already gathered. Smokes. Shouts are heard everywhere: “She!” And now the Volga is already behind us. Next, the author describes the greatness of the Volga. Volga is the middle of Russia. There may be longer and larger rivers in the world, but the Volga is dear to the author.

Two forges

The writer talks about the forge in Zagorye, where he spent his childhood. And the noise of the anvil still sounds in the hero’s head, reminding him of his former, poor life. There were always people in the forge and there were always conversations about everything in the world. The forge was a joy, a break from everyday life for all visitors. The writer was proud of his father because he could create useful things with a few blows of a hammer. And on the way, the writer had a chance to see the main sledgehammer of the Urals.

Two distances

Another distance, where the grass is not thick and the landscape is sparse - Siberia. The hero plunges into memories of how he learned to read and write. He rejoices that his fate is ordinary, that he is not special. The author asks you to read until you get bored. Meanwhile, the train stopped at Taiga station. And right after the stop there is a completely different climate - winter, everything around is covered in snow.

Literary conversation

On a long journey, according to the author, everything is important down to the smallest detail, the weather, the conductor’s samovar, and the radio. That you need to make friends with your neighbors in the compartment, because all the people traveling in the same carriage are connected by a common direction. The writer ponders where the newlyweds standing at the window can go. At night, the author has a strange dream where he talks to his editor about his works.

Lights of Siberia

Tvardovsky's poem "Beyond the Distance" chapter "Lights of Siberia" is full of descriptions of the power of the Siberian region. Five Europes can be placed on this territory, says the author. The hero travels through Siberia for several days, he cannot take his eyes off the starry sky. The lights of Siberia last forever. The poet falls in love with Siberia: “I love it! ... you can’t stop loving.”

With myself

Life has endowed the writer with everything in full: his mother’s songs, holidays, and music; just like in his youth, he loves long conversations and nightly thoughts. And sometimes it seems to him that all the youthful fervor has not yet left him. Promises the reader not to violate the terms of friendship. The poet says that it will definitely be difficult for him in the future, but he will never be afraid.

childhood friend

In this chapter of the poem “Beyond the Distance” you can read about the writer’s old friend, his peer, with whom he herded cattle, lit fires, and was together in the Komsomol. The author could have called this person his first friend, if not for their separation. After seventeen years of separation, the hero met his old friend at the station. One was traveling “Moscow-Vladivostok”, the second “Vladivostok-Moscow”. They were glad to meet, but did not know what to talk about, so they just stood and smoked. The train boarding whistle sounded and five minutes later they parted ways. The pain and joy of that meeting crowded into the writer’s soul for more than one day.

Front and rear

Although the war ended long ago, a bitter memory of it remained in the souls of the people. A dispute ensued between the passengers of the carriage about the front and the rear, during which they tried to find out whose fate was more difficult. And the one who argued the most was Surkov, who hated those who had not been in battle at the front. And the Major, who was traveling with the writer in the same compartment, said that he had gone all the way from a simple soldier to a major and could conclude that it was easier at the front than in the rear. But not everyone agrees with his opinion. The author draws a conclusion similar to that of Fyodor Abramov: the rear and the front are twin brothers.

Moscow on the way

The poem compares a carriage with a communal apartment. The author recalls the newlyweds, who later became involved in a conversation and the entire carriage gathered around them. The young husband admits that he did not want to leave Moscow, but those benefits are not worth his conscience. His wife said that where they are, Moscow is there. And now it was time for the newlyweds to leave, the whole carriage wished them well. The poet envied the young in his soul.

On the Hangar

The hero remembers the time when he had a chance to visit the Angara to install a hydroelectric power station on it. People in dump trucks drove onto the bridge and dumped concrete cubes into the river to block the water's path, and this happened many times. Many people, Siberians, gathered to watch what was happening. They called themselves that, although they were from different countries. The efforts of the people were not in vain and in the end the river gave up and flowed in the right direction. Soon, in place of the mighty river, only a stream remained, which the bulldozer operators successfully dealt with. That day remained in the writer’s memory as a holiday of labor.

To the end of the road

The hero is grateful to fate for the right choice of travel. Now Moscow and Siberia sound like the name of the country to him. That there is no need to look for your life goal in distant lands, that every destiny is also distant, it is a unique path. The author loves his compatriots and believes that they deserve peace in their land with the blood and grief of their mothers. The writer cannot count what beautiful lands his country is endowed with.

That's how it was

The poet turns to his old friend, saying that they cannot escape their memories, and that they still belong to years that have long passed. The person’s name always stood in line with the word Motherland. The writer thanks his Motherland for the happiness of being on the same path with Russia.

To a new distance

The short summary of the poem “Beyond the Distance” ends with the author arriving in Vladivostok. There are only two characters in the book - the writer and the reader. At the end, the poet asks the reader to evaluate his travel notebook. And says goodbye to them.

The poem “Beyond the Distance” on the Top Books website

Tvardovsky’s poem “Beyond the Distance” is popular to read largely due to its presence in the school curriculum. This ensured her a high place among , as well as a high place among . And it is the school curriculum that will ensure that the poem “Beyond the Distance” will be included in our subsequent ratings.

“Beyond the distance - the distance” Tvardovsky

"Beyond the distance - the distance" analysis of the work - theme, idea, genre, plot, composition, characters, issues and other issues are discussed in this article.

The poem “Beyond the Distance is Distance,” for which A.T. Tvardovsky was awarded the Lenin Prize in 1961; it is one of the central works of the mature work of A.T. Tvardovsky. It consists of 15 small chapters.

The first major event of the trip is the meeting with Volga: “- She! “And to the right, not far away, Not seeing the Bridge ahead, We see its wide reach In the gap in the field on the way.” Russian people perceive the Volga not only as a river. It is at the same time a symbol of all of Russia, its natural resources and open spaces. A.T. Tvardovsky emphasizes this more than once, describing the joyful excitement of the hero and his fellow travelers when meeting the mother of Russian rivers. The Kremlin walls, domes and crosses of cathedrals and ordinary villages have long been visible in the Volga. Even having dissolved in the ocean waters, the Volga carries within itself a “reflection of its native land.” The patriotic feeling of the lyrical hero takes him to the memorable war years, especially since his neighbor in the compartment fought for this Volga at Stalingrad. Thus, admiring the view of the river, the hero of the poem admires not only the natural beauties of the Russian land, but also the courage of its defenders.

Memories take the lyrical hero to his small homeland - Zagorye. Childhood memory characterizes life in this region as meager, quiet, and not rich. The symbol of hard, but honest and necessary work for people in the poem is the image of a forge, which has become a kind of “academy of sciences” for the young man.